<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"><channel><title>Paper Thin Walls Listening Parties</title><link>http://www.paperthinwalls.com/</link><description>Listening Parties from Paper Thin Walls</description><language>en-us</language><pubDate>Tue, 08 Jul 2008 19:18:56 -0600</pubDate><generator>Paper Thin Walls</generator><managingEditor>christopher@paperthinwalls.com</managingEditor><webMaster>dan@paperthinwalls.com</webMaster><image><title>Paper Thin Walls</title><width>156</width><height>24</height><link>http://www.paperthinwalls.com/</link><url>http://www.paperthinwalls.com/images/logo/logo_grey_on_white.gif</url></image><item><title>"Repeater"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=84</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="215" valign="top"&gt;&lt;a href="http://www.paperthinwalls.com/listeningparty/index?id=84"&gt;&lt;img src="http://www.paperthinwalls.com//file/listeningpartyblurbimages/thumbnail/84" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;Repeater:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;story by Jesse Jarnow&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
British guitarist James Blackshaw obsesses over pattern and detail, micromanaging the pristine, minimal, circular symphony that is his sixth album, &lt;em&gt;Litany Of Echoes&lt;/em&gt;.&lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 07 Jul 2008 00:00:00 -0600</pubDate></item><item><title>"Escape Artist"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=83</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="215" valign="top"&gt;&lt;a href="http://www.paperthinwalls.com/listeningparty/index?id=83"&gt;&lt;img src="http://www.paperthinwalls.com//file/listeningpartyblurbimages/thumbnail/83" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;Escape Artist:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;story by Kory Grow&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
Barcelona singer-songwriter Sebasti&amp;#195;&amp;#161;n Litmanovich has made a perfect summer album: pillow-soft beats, dreamy images, fuzzy instruments and whispered Spanish. &lt;em&gt;Tenemos gusto de este &amp;#195;&amp;#161;lbum mucho&lt;/em&gt;.&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
&lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 30 Jun 2008 00:00:00 -0600</pubDate></item><item><title>"The Fragile"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=82</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="215" valign="top"&gt;&lt;a href="http://www.paperthinwalls.com/listeningparty/index?id=82"&gt;&lt;img src="http://www.paperthinwalls.com//file/listeningpartyblurbimages/thumbnail/82" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;The Fragile:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;story by Christopher R. Weingarten&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
We&amp;#226;&amp;#128;&amp;#153;d say Made Out Of Babies made the best metal record of the year, but something this delicate and exposed shouldn&amp;#226;&amp;#128;&amp;#153;t rightfully be called &amp;#226;&amp;#128;&amp;#156;metal.&amp;#226;&amp;#128;&amp;#157; So here&amp;#226;&amp;#128;&amp;#153;s the best trembling-nerve, triumph-cry, scream-therapy, pigfuck-pop record of the year.&lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 23 Jun 2008 00:00:00 -0600</pubDate></item><item><title>"From Dusk 'Til Dawn"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=80</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="215" valign="top"&gt;&lt;a href="http://www.paperthinwalls.com/listeningparty/index?id=80"&gt;&lt;img src="http://www.paperthinwalls.com//file/listeningpartyblurbimages/thumbnail/80" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;From Dusk 'Til Dawn:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Moody-to-triumphant Australian house heavyweights Midnight Juggernauts have made the best album about nuclear bombs, war and fate that you'll dance to all summer. &lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 16 Jun 2008 00:00:00 -0600</pubDate></item><item><title>"The Band Of Milk And Honey"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=79</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="215" valign="top"&gt;&lt;a href="http://www.paperthinwalls.com/listeningparty/index?id=79"&gt;&lt;img src="http://www.paperthinwalls.com//file/listeningpartyblurbimages/thumbnail/79" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;The Band Of Milk And Honey:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;story by Andy Beta&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
Simple pleasures like fresh ice cream, happy hardcore and Fleetwood Mac were churned together for Ponytail's exuberant second album. &lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 09 Jun 2008 00:00:00 -0600</pubDate></item><item><title>"Head Bangers"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=76</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="215" valign="top"&gt;&lt;a href="http://www.paperthinwalls.com/listeningparty/index?id=76"&gt;&lt;img src="http://www.paperthinwalls.com//file/listeningpartyblurbimages/thumbnail/76" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;Head Bangers:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;story by Mosi Reeves&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
DJ Double-O and "the product of two shrinks," MC Naledge, make true head music.&lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 02 Jun 2008 00:00:00 -0600</pubDate></item><item><title>"Now We Come To The Payoffâ¦"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=75</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="215" valign="top"&gt;&lt;a href="http://www.paperthinwalls.com/listeningparty/index?id=75"&gt;&lt;img src="http://www.paperthinwalls.com//file/listeningpartyblurbimages/thumbnail/75" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;Now We Come To The Payoff&amp;#226;&amp;#128;&amp;#166;:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;story by Christopher R. Weingarten&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
A vinyl visionary gets the deluxe retrospective he deserves. Steinski's two-disc &lt;em&gt;What Does It All Mean?&lt;/em&gt; is a delirious collection of sample shards that&amp;#226;&amp;#128;&amp;#153;s beyond our wildest dreams&amp;#226;&amp;#128;&amp;#148;and a copyright attorney&amp;#226;&amp;#128;&amp;#153;s worst nightmare. Ladies and gentlemen, the original night ripper.&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
&lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 26 May 2008 00:00:00 -0600</pubDate></item><item><title>"Islands On The Stream"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=74</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;Islands On The Stream:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;story by Jessica Suarez&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
&lt;em&gt;Arm's Way&lt;/em&gt; puts serious muscles on indie rockers Islands' playful, worldly pop. &lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 19 May 2008 00:00:00 -0600</pubDate></item><item><title>"Blank Generation"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=73</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="215" valign="top"&gt;&lt;a href="http://www.paperthinwalls.com/listeningparty/index?id=73"&gt;&lt;img src="http://www.paperthinwalls.com//file/listeningpartyblurbimages/thumbnail/73" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;Blank Generation:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;New York's Shy Child aren't a dance band or rock band. And their excellent third album, &lt;em&gt;Noise Won't Stop&lt;/em&gt;, isn't dance or rock or indie or Gen X or Gen Y either. But damned if it doesn't make us move.&lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 12 May 2008 00:00:00 -0600</pubDate></item><item><title>"Mountain Songs"</title><link>http://www.paperthinwalls.com/listeningparty/index?id=71</link><description content="html">&lt;table width="505"&gt;&lt;tr&gt;&lt;td width="215" valign="top"&gt;&lt;a href="http://www.paperthinwalls.com/listeningparty/index?id=71"&gt;&lt;img src="http://www.paperthinwalls.com//file/listeningpartyblurbimages/thumbnail/71" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td width="15"&gt;&lt;/td&gt;&lt;td valign="top"&gt;&lt;font size="1" color="#7F7F7F"&gt;&lt;b&gt;Mountain Songs:&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;story by Kory Grow&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;br /&gt;&#13;
The Breeders speak in tongues on their latest LP, but the quartet find common language in micro-engineering and macro drums. Not bad for &lt;em&gt;pinche gueras&lt;/em&gt;.&lt;br clear="all" /&gt;&lt;br clear="all" /&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</description><pubDate>Mon, 05 May 2008 00:00:00 -0600</pubDate></item></channel></rss>
